Any help would be appreciated, I’m curious about its value now. Now an OM-40R Legacy Series has been speaking to me recently and I recently ordered a 50th Anniversary model…. The luthiers are good friends; anyone who makes a discovery shares it with the others, so that all might move one step closer to building the "finest guitar in the world," a challenge which Grit Laskin says "is what it's all about" (1987, 40). This instrument has that mellowness that is needed in a 12 string. It seems to be fine in every way. Do you have the same The Larrivée OM-10, as its name implies, has an OM-style body. They do not compete against each other, but rather, with each other, always urging each other on toward the same goal. I didn't need them anymore," and Pat Metheny says, "She has a very advanced sense of what makes an instrument in the broadest sense of the word. I payed $1200 for it which is more than I paid for my Taylor. When I find enough money on the street (or in the garden) I´d love to check out the OM-60 but the risk is low although I keep my eyes open all the time. I returned it and paid a little more for an LV-03 and loved it right from the first gig and on. I really enjoyed this article. I was looking for another higher end Martin when one day I looked up in a store and saw something I had never seen before. My father left me his 1945 Martin D-18 and that was why I never looked to any other guitar manufacturers. If you look what actually pro musicians use for recording it is always 90% high end gloss guitars. I was thinking maybe someone who reads this site may be able to shed some light on this. Scale length is usually around 645mm (25.4") with body depth approx 121- 124mm (4.9"). His inlay work is very, very interesting. I thought ah it must be mics, no it is not, premics than, no it is not.. It’s all personal preference. How Taylor achieves such fantastic neck action I don’t know, but both my 6 string and my 12 string (Jumbo 355) Taylors almost play themselves. I have a d10 B which is brazilian rosewood. David Wren, another world-class Canadian luthier from the Larrivée school, has earned the master's highest praise: "He worked for me for five years, and he was by far the very best that ever worked in the shop. The 02 series are limited-run models that have gone through a number of fit and finish iterations. I have LO3R and I thought it must be almost the same as LO9 it is made the same way, it is same guitar. It is often difficult to find a Larrivee guitar to try out in a store, as the Guitar Center doesn’t appear to stock them (they are all special order). Jean Larrivee has been crafting guitars since the late '60s and his vast experience and knowledge are proudly on display here at NAMM 2020. Based on the Grimms' fairy tale, this inlay depicts Rapunzel on the headstock. This body shape creates real tone surprise. (1994). . Larrivée's classical background is obvious in the style of his guitars. To my experiences when ever I tried to record and that is often, there was always something missing. Laskin's guitars have also earned high praise for their beautiful tone. At the end of the day, the LV was about 25% cheaper than the Martin, and at least it’s equal. I’m going for the Larrivee P-10 Custom used but in Mint Condition $1800 and change, After watching and listening to video after video and reading review after review I feel I’m ready to dive in and make this purchase, actually I may be trading a 2013 Gibson Memphis Custom Shop 59′ reissue ES-330 for the aforementioned Larrivee parlor P-10 Custom. In the mid-l9th century, C. F. Martin began to manufacture flat-top steel-string guitars in the United States. It took less than a minute to find that mine was made on July 18th 2002, which suprised me, as it looks almost like new, and using your serial yours was made in 1984. Your statement “Martin guitars dominated the flat-top market” is a bit of an overstatement. I’m wondering if it may be discontinued or something else. Directly or indirectly, almost all Canada's builders have been influenced by Larrivée's courage in experimentation, the style of his instruments, and his openness with information. David Wren illustrates this camaraderie in an anecdote: "When I was first starting out, when I first left Larrivée, I was going in direct competition with Grit [Laskin], and yet he threw a big surprise party for me and collected enough money from everybody to buy a big spray outfit for me. I had a yamaha I played for 28 years. This body shape is similar to a classical body shape and features a Symmetrical Parabolic X-Bracing pattern. 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